A sound architect’s mic locker is the most significant tool in their arms stockpile. Microphones are the first and most basic component of your recording chain. One of the most basic segments of any studio is a large diaphragm condenser microphone. It is the focal point of the studio’s sound. Legitimate consideration and support are fundamental. Deal with your mics, and they’ll deal with you. Be that as it may, how would you deal with these mics?
Continuously utilize a pop filter when recording vocals. This will stop the vocal entertainer’s spit from arriving on the diaphragm. The charged diaphragm can draw in saliva particles right onto the mic membrane. Keep the mic in a plastic bag when not being used. Regardless of whether the mic is put away for its situation or left on a stand, a plastic bag just like an unsealed sandwich bag will stop airborne dust and the foam from windscreens and storage cases from choosing the capsule.
When utilizing the microphone, keep the vocal performer at any rate six inches from the mic to keep plosives from striking the capsule. Never turn on the power supply for a vacuum tube condenser mic before interfacing the mic. Studio condenser mics are fragile tools. They might be able to withstand more abuse than you expect, but they will probably last longer if you treat them with kid gloves instead of tossing them into a mic locker when a session ends. Use the original mic clip and/or keep the shock mount in good condition. Many condenser mics do a head-first swan dive straight into a hard studio floor because the clip was damaged or inadequate for the task of steadily holding the mic.
Utilize a reasonable microphone stand and ensure, on account of a tripod stand, that the supporting leg is directly beneath the microphone. Indeed, even the best stand will topple if the heaviness of a mic is situated between two supporting legs. Make a point to balance the microphone’s weight with the ballast weight on a tripod boom. Preferably, the mic and the balance should equal each other when the mic is positioned. That way he hook isn’t holding up the heaviness of the condenser mic; doing this will help guarantee that if a clutch slips, the mic won’t drop onto a user’s head.
In the event that you are utilizing costly condenser mics, don’t modest out on the mic stand. Putting resources into a heavy-duty, high-quality stand is like buying insurance. Never at any point put an expensive mic on a cheap stand.
These are simple, common sense that the vast majority disregard aside from in the most professional recording studios Gain from understanding and spare a microphone.